.super bueno workshop & christelle davrieux total pond odyssey Off a path in the fields of Giez, France, the Pond Journey hut installment looks like a burning timber pillar. Made by tremendously bueno workshop together with Christelle Davrieux, it takes the form of a home prototype along with, in the top part, two outstanding willing edges. The materiality of this particular basic and also slimmer kind pertains to the shadow of the underbrush as well as the dark torsos kept nearby. A human-scale position provides a frame for the large landscape, its own illumination contrasting along with the darker shell of the perimeter. Deep space launches the illuminations, colors, seems, aromas, and continuous motion of the all-natural landscape right into its own form.all pictures through David Foessel a gap pierces the massive hut's wooden form ' Our company go to the advantage of the forest, where the trees rise happily up and down, and also along timber storing where the human hand has put all of them horizontally,' discusses the team at very bueno workshop. Distant of the hut sits a range of hills, extensive areas, and also Pond Annecy, welcoming a dialogue with its circumstance. When minority pubs of the step ladder are actually mounted and the first level of the massive hut is arrived at, its ground reduces thanks to a mild slope. The Pond Odyssey introduces an area of movement, inviting visitors to stand, lay, sit, stroll, or perhaps slide. 'Coming from the warm and comfortable hardwood hut at the heart of the charred timber monolith, everyone will discover a rupture to deal with the emotion that this shift stirs up,' the group carries on. It further triggers a shift between the course where the eye buttocks on the brown bark of the torsos and the opening on the panorama of the lake.super bueno workshop and Christelle Davrieux total Lake Odysseylocated off a path in the fields of Giez, Francethe hut seems like a burning wooden monolithannouncing a place of passage, welcoming guests to stand, prepare, rest, walk, and even slidethe materiality of this easy form describes the shadow of the boscage as well as the dark trunks stored nearbythe gap's illumination contrasting with the sinister layer of the peripheryintegrating the lightings, shades, sounds, scents, as well as continuous action of the all-natural garden.